Arirang Mass Gymnastics festival [Mass Games]

An Extraordinary Stadium Spectacle

Historically staged in Pyongyang, the Arirang Mass Games combined synchronised gymnastics, dance, music and enormous human card mosaics. Their scale made the stadium itself part of the performance.

This is a historical and cultural guide, not a confirmed booking offer. The spectacle also carried state political messaging; current performances, visitor eligibility and access must be verified separately.

Understand the choreography, the people and the context.— THE TRAVEL LANTERN

Festival Guide

Explore the historical performance and its political context. No current Arirang season or generally actionable attendance plan has been verified for this guide.

1Festival Overview

The Arirang Mass Games are best understood as a historical performance form with artistic, athletic and state-political dimensions. Later mass productions belong to the same broad tradition but should not all be renamed Arirang.

What the Mass Games were

Mass gymnastics combines coordinated physical movement with music, theatrical design and large ensembles. In North Korea, it developed into a stadium-scale art form in which the individual performer contributes to a much larger pattern. Floor choreography and grandstand imagery can operate together, turning the entire visual field into a planned composition.

The resulting scale is striking, but scale alone does not explain the event. The performance communicates stories and values chosen by the state. A useful account therefore considers both the skill involved in making the images and the political framework in which those images were presented.

Arirang and later productions

Arirang is a specific name associated with the major production staged from 2002 to 2013, with an interruption in 2006. Later productions included The Glorious Country in 2018 and People’s Country in 2019. They should be identified by their own names rather than treated as uninterrupted annual editions of one timeless festival.

Historical schedules are not a current calendar. A web page using the words Mass Games in a future tour category may express an operator’s interest in a possible return, not a confirmed performance. This guide does not infer a bookable season from an archive or a promotional heading.

The stadium as a canvas

Rungrado May Day Stadium in Pyongyang is closely associated with the Arirang production. Its broad field and surrounding stands allowed visual action at several scales. A spectator could follow an individual acrobatic movement, a group formation or a vast image extending across the background.

The architecture matters because it determines the relationship between floor, mosaic and audience. A close view of one group can hide the overall design, while a wide view can make individual effort difficult to see. Neither perspective alone gives a complete account of the performance.

Human card mosaics

The grandstand display was made by many participants turning or presenting coordinated coloured pages. At a distance, those individual actions combined into images, lettering and changing scenes. The effect can resemble a huge screen, but the historical mechanism was a human ensemble with precise timing.

That distinction is essential to understanding the work. Describe the technique without erasing the people who performed it. Avoid implying that participants were literally interchangeable pixels, or claiming to know an individual’s feelings from a distant photograph. The image shows coordination; it does not establish a personal biography.

Gymnastics, dance and acrobatics

The field performance combined disciplines rather than presenting only one kind of gymnastics. Movement, costume, music and group spacing helped differentiate scenes. A formation could be designed to read from across a stadium, while a smaller acrobatic element introduced another scale of action.

Appreciating technique does not require endorsing the message around it. It is possible to notice physical precision, transitions and visual design while remaining clear about the event’s state context. Avoid treating artistic observation and political understanding as mutually exclusive ways of looking.

Music, lighting and visual rhythm

Music helped organise pace and transitions, while lighting and costume established contrasts between scenes. The audience’s eye was directed through changes in colour, scale and movement. A strong scene could depend as much on the timing of a transition as on the final image.

Historical photographs isolate a fraction of that sequence. A still cannot convey the full relation of music and movement, and a video clip may remove surrounding narrative. Read captions and edition information before interpreting a single dramatic frame as representative of an entire production.

Scale and the record

Guinness World Records records a gymnastic display involving 100,090 participants at May Day Stadium on 14 August 2007. That is a specific recorded event, not a guaranteed number for every Arirang performance or every later mass production. Precise figures should stay attached to their actual context.

Round claims about enormous numbers can obscure how different roles contributed: field performers, mosaic participants and other production elements are not necessarily counted in the same way across sources. Where a reliable edition-specific figure is unavailable, describing the scale without inventing an exact total is more accurate.

Political themes and state symbolism

The productions included state narratives, national imagery and political messaging. Those elements should be described as the content of a state-organised performance rather than repeated as neutral historical truth. A banner, slogan or scene can be analysed without endorsing its claims.

Similarly, the cultural reference to Arirang should not be reduced to a convenient tourist label. The name connects to a Korean musical tradition with significance beyond one production. Distinguish that broader cultural reference from the particular way it was used in the stadium narrative.

Preparation and the people involved

Synchronisation at this scale requires extensive preparation and coordination. That observation does not establish that every participant had the same experience, motivation or conditions. Avoid romanticising discipline or speculating about an individual performer’s private feelings.

Human-rights and working-condition concerns deserve credible evidence and careful attribution when discussed. They should not be replaced by either promotional celebration or sensational assumptions. A responsible guide can acknowledge the limits of what a visitor photograph shows while keeping the performers’ humanity visible.

Why study it today

The Arirang Mass Games remain significant as a meeting of physical performance, visual design and state communication. They can be studied through properly contextualised historical photographs and accounts even when attendance is unavailable. Physical access is not a requirement for understanding the form.

This page therefore separates the historical spectacle from current travel. It does not promise a season, a ticket category or an international route. The most useful approach is to ask what a production showed, how it created that effect and what context shaped it, then keep those questions distinct from whether anyone can legally and practically visit today.

2When & Where

There is no verified current Arirang season on which to base a visit. Historical performance runs, limited border openings and later productions must be checked separately rather than combined into a fictional current programme.

When Arirang was staged

The Arirang production belongs principally to the 2002–2013 period, with an interruption in 2006. Historical editions could run over a season, but that does not make the event a dependable annual festival now. Dates from an old account describe that account’s edition.

Do not transfer a past August or September performance window into a future travel plan. A seasonal pattern is not a booking confirmation. The actual title, dates, venue and visitor arrangements would all need current verification before a guide could responsibly present attendance as available.

Are the games currently running?

As reviewed on 5 November 2026, this guide has not verified a current Arirang performance season. The specialist operator checked for Mass Games availability states that no future tours are planned and speaks of a possible return. That is not a confirmed programme or ticket offer.

The appropriate practical conclusion is that there is no currently actionable Arirang visit plan established here. This does not claim that no mass performance of any kind can occur in North Korea. It means that a specific, accessible event has not been verified for ordinary readers to book.

Where the historical performance took place

Rungrado May Day Stadium in Pyongyang is the principal historical setting for Arirang. Earlier mass-gymnastics traditions also used other venues, so the history of the wider form should not be collapsed into a single building or production.

The stadium’s identity is useful cultural context, not an invitation to arrange independent access. A photograph of an exterior or an old ticket does not establish current opening, visitor admission or transport. Any future performance would need its venue and entrance arrangements confirmed through lawful current channels.

Later productions have their own identity

The Glorious Country and People’s Country were later mass-performance productions, not proof that the original Arirang continued annually without change. Names, scenes and technological elements may differ. A page that labels every large stadium show Arirang can mislead readers about both history and availability.

When a new production is reported, identify its actual name and distinguish the performance date from the date an article was published. An anniversary spectacle or a one-off state event does not automatically create a tourist season.

Tourism is a separate question

Even a confirmed performance would not establish that foreign tourists can attend. Country entry, nationality eligibility, transport, visa arrangements and event admission are separate conditions. Each can change independently, and a positive answer to one does not settle the others.

Current UK guidance describes limited tourism having restarted while general entry and passenger routes remain restricted. The specialist operator checked still describes regular tourism as suspended. These statements refer to different forms of access and should not be simplified into either fully open or completely impossible for every person.

Nationality and legal eligibility

Passport holders do not face identical rules. US passports are generally invalid for travel to, in or through North Korea without special validation, which is issued only on a limited basis. Japanese guidance calls for refraining from travel. South Korean nationals require their own government’s current legal guidance rather than assumptions based on another nationality.

Other readers must check their own government’s advice and the relevant entry authorities. A tour advertisement aimed at one market is not evidence that a person holding a different passport is eligible. Do not pay for an event-based journey before that distinction is resolved.

Historical stadium experience

Accounts and photographs show a large, structured evening spectacle with coordinated floor action and grandstand displays. The relationship between seating and the overall picture was central to the experience. A closer seat did not necessarily offer the best view of the complete formation.

Those are historical observations, not current ticket advice. This page does not list prices, seating categories, performance length or arrival deadlines as if they were on sale today. If a new event becomes genuinely available, its own conditions would supersede old descriptions.

Arrival and transfers, if ever confirmed

Historically, visitors attending through organised arrangements were moved within a structured itinerary. Any future attendance would need current written confirmation of group transfer, admission, security, permitted equipment and the return journey. Independent wandering should not be inferred from a past visitor’s account.

There is no reason to supply a hypothetical current departure time from a hotel or a train connection here. Such precision would create confidence without evidence. The useful sequence is verification first, lawful arrangements second and event-specific instructions only after both are established.

What a confirmed announcement would need

Look for an exact production name, current dates and a source that clearly distinguishes confirmation from expectation. Then verify whether eligible foreign visitors can enter, reach Pyongyang and obtain event admission under the actual rules. Refund and cancellation conditions would also matter because access can change materially.

A sample itinerary, an archived tour or a future-year page heading is insufficient. Read the notice within the page, not only its title. If sources disagree or use uncertain language, keep the uncertainty visible rather than converting it into a confident travel recommendation.

The useful alternative now

Treat this page as a historical and cultural guide until the necessary conditions are verified. Explore the choreography, human mosaic technique, stadium scale and political narrative through archival material. Keep photographs attached to their source context.

Do not plan non-refundable travel around an unavailable event. Recheck official travel advice and reliable current event information if circumstances change, but do not assume a limited opening for another purpose includes Mass Games attendance. A clear limitation is more useful than a polished itinerary that cannot actually be followed.

Before

Check the current programme and access conditions.

During

Follow venue instructions and allow the event to set the pace.

After

Leave calmly and follow your planned return arrangements.

3Festival Advice

The main practical issue is access, not choosing a seat. Start with current government guidance, nationality rules and verified performance availability; old tourism reports do not establish present permission.

Start with government travel advice

Read your own government’s current advice before considering any arrangement. As checked for this guide, the UK advises against all but essential travel to North Korea, Australia advises do not travel, and Japan asks its nationals to refrain from travel. These are different formulations and should be reported accurately rather than blended into one universal rule.

Travel advice can affect insurance and the help available in an emergency. A cultural interest in the performance does not remove those practical consequences. This page is not a recommendation to disregard official advice or a substitute for nationality-specific requirements.

Separate permission from availability

An event can be historically famous, a border can have limited openings and an operator can advertise sample tours without an ordinary visitor having a lawful, bookable journey. Treat country entry, transport, visa approval, Pyongyang access and event admission as separate checks.

No current Arirang attendance plan is established here. Do not interpret the presence of a How to Experience tab as evidence that tickets exist. The tab explains the historical experience and the conditions that would need verification if access changes.

Passport and nationality rules

US passport holders generally require special validation for travel to, in or through North Korea; it is not an ordinary tourist formality. Other nationalities face their own requirements, and South Korean legal restrictions require separate official advice. Do not assume that a visa option offered to another traveller applies to you.

Keep passport eligibility, transit permissions and destination permission distinct. A third-country transit visa does not authorise entry into North Korea. Use official authorities for legal requirements and do not rely on a forum report about what someone did years ago.

Organised travel and movement

Tourist arrangements, where legally available, are highly controlled. Government guidance describes guide-accompanied movement and severe restrictions on independent exploration. A guide is not merely a convenient local escort who can be dismissed when you prefer to walk alone.

Do not leave an authorised itinerary or attempt to reach a venue independently. This guide offers no routes for avoiding controls, no methods for evading permissions and no suggestions for treating a limited invitation as general access. If the permitted arrangement does not meet your needs, do not proceed.

Insurance and medical contingencies

Before any legally possible travel, obtain a clear answer from an insurer about the destination, the official advice level and the actual itinerary. A generic policy confirmation is not enough if relevant exclusions apply. Medical care, communications and evacuation arrangements may be severely limited.

Discuss necessary medication and documentation through legitimate current channels, and consider whether appropriate assistance could realistically reach you. This page does not offer medical advice or promise an evacuation route. A serious unresolved contingency is a reason to reconsider, not a detail to improvise after arrival.

Photography and conduct

Ask the authorised guide or relevant authority before photographing, and follow venue-specific rules. A performance ticket does not grant permission to photograph military personnel, border facilities, restricted infrastructure or any other prohibited subject. Do not use a phone covertly because a larger camera has been restricted.

Political symbols and images are subject to local rules with potentially serious consequences. Keep conduct careful and factual rather than treating the visit as an opportunity for provocative gestures. Following an organised tour does not provide immunity from local law or arbitrary detention.

Devices, customs and communications

Current rules for devices, stored material and communications must be checked before travel. Do not assume that ordinary international roaming, internet access or a familiar app will work. Government advice describes substantial restrictions and unreliable contact with the outside world.

Do not hide prohibited material or attempt to bypass customs controls. Seek clear current guidance about what may be carried, and comply with applicable law. A communication plan for family and emergency contacts should reflect the real limitations rather than promising daily connectivity that may not exist.

Payment arrangements are not equivalent to those in a typical international city. Government advice describes the absence of ordinary international card and mobile-payment services. Any legally available travel would require current, compliant guidance about permitted payment methods and declarations.

Do not seek methods to evade financial restrictions or sanctions. A payment workaround found online can introduce legal and practical risks rather than solve the problem. This historical guide does not recommend a cash amount, exchange route or booking intermediary as though a current trip had been verified.

Booking and cancellation claims

If a future performance is genuinely announced, seek written clarification of what is confirmed, what remains conditional and what happens if entry or the event is cancelled. A deposit request or a sample itinerary is not confirmation that all permissions exist.

Read the actual production title and dates, not only an operator’s category label. Avoid unsupported current ticket prices, seating promises and transport schedules. Where information is uncertain, preserve that uncertainty instead of converting it into an attractive but misleading visitor plan.

Common mistakes

The central mistakes are assuming the games happen annually, treating pre-pandemic accounts as current advice and believing that a limited reopening applies to every nationality. Other errors include assuming independent travel is possible, ordinary payment systems work or photographs are permitted everywhere.

Do not book around an unverified season or dismiss restrictions because a dramatic photograph makes the event appealing. The responsible present use of this page is historical understanding. If circumstances change, the entire practical chain must be checked again rather than updating only the year in an old itinerary.

4How to Experience

At present, use this as a historical and cultural guide. Understanding a mass performance does not require pretending that a visit is available; study the design and context together.

If the event is not accessible

No current Arirang performance season or generally actionable attendance arrangement has been verified for this page. The appropriate experience offered here is therefore historical and cultural: archival images, contextual reading and careful study of how a stadium production was assembled.

Do not organise non-refundable travel around the possibility of a return. A future performance would require separate verification of the production itself and the visitor’s lawful access. An old account can describe what attendance felt like, but it cannot establish what is possible now.

Begin with the complete picture

Start with a wide historical stadium view. Identify the field, the human card mosaic and the relationship between them. Notice how the composition directs attention: a foreground formation may echo a background image, or movement may create contrast against a relatively still display.

This overview helps make sense of detail photographs later. Without it, a close-up of dancers can look like a separate stage performance rather than one component of a much larger design. Keep the edition and source in mind so that images from different years are not accidentally treated as one continuous sequence.

Follow a formation through time

Where legitimately available archival footage shows a sequence, observe how groups enter, change shape and leave. The transition can reveal the organisation more clearly than a finished formation. Watch the spacing and timing needed for a pattern to remain legible from a distance.

A short edited clip may omit preparation or the surrounding narrative. Do not infer the length, pace or complete meaning of a production from one highlight. Use footage as evidence of what it actually shows, and avoid extending it into claims about every edition.

Understand the human mosaic

Look closely at a sourced explanation of the card display, then return to a wide image. The apparent screen was historically created by many people coordinating coloured pages. Recognising that technique changes the way the background is read.

Avoid reducing the participants to a technical gimmick. Their coordinated work is part of the performance, just as the floor choreography is. At the same time, a picture of synchronisation does not reveal whether a particular person felt pride, pressure, boredom or any other emotion. Leave those unknowns unknown.

Notice the different disciplines

Separate gymnastics, dance, acrobatics and musical elements when you can identify them reliably. Consider how costume colour, group size and spacing create different visual effects. A formation can be designed for a distant audience in a way that differs from an intimate theatre performance.

Do not assign a specific dance name or cultural meaning solely from a costume. Reliable captions and production descriptions matter. A modest observation about movement is more useful than an elaborate label that the source cannot support.

Read the political narrative

Ask what story the scene is trying to communicate and how state imagery is used. Treat slogans and representations as elements of the production rather than as neutral statements of fact. Cultural appreciation should not erase the political purpose of a state-organised spectacle.

Nor should political analysis erase the people doing the physical work. A balanced account can recognise technique, coordination and design while questioning the narrative. Avoid both promotional admiration without context and dismissive language that treats performers as less than individuals.

The historical visitor perspective

Historical visitors generally encountered the performance within highly structured arrangements. The stadium offered an immense visual field, with seating affecting the balance between the overall mosaic and smaller floor details. A wide view could be more informative than the closest possible position.

These observations help interpret old photographs, not choose a current ticket. This guide does not recommend a seating category, hotel transfer time or tour package. Those details would need current confirmation for a specific new production and a legally eligible visitor.

Full Pyongyang context

The event’s setting in Pyongyang matters to its interpretation. Architecture, state ceremony and the presentation of national identity form part of the surrounding context. Study reliable historical and cultural sources alongside performance material rather than treating the show as isolated entertainment.

This does not create a present city itinerary. Independent movement and access are heavily restricted, and a hypothetical list of attractions could mislead readers into assuming normal tourism. Keep historical context distinct from instructions that someone could lawfully and practically follow today.

If lawful attendance becomes possible

Only after current performance and visitor access are verified would it make sense to consider authorised arrangements, seating, admission and equipment rules. Any advice would need to apply to the traveller’s nationality and the exact production, with official travel warnings and insurance implications made clear.

Follow the actual guide and venue instructions, remain within authorised movement and photography rules and keep the political context visible. Do not assume that a future production repeats old titles, scenes or conditions. A new event requires a new factual check, not a recycled itinerary.

The best cultural understanding

Compare the overall design with the details: the grand image, the changing formation, the physical work and the message being presented. Note what the source establishes and what it leaves uncertain. This method makes the archive useful without claiming access to private experiences.

A meaningful encounter with the subject can happen through careful study. It does not need a booking button or an invented festival weekend. The page remains useful by explaining an extraordinary performance form honestly while making its present limits clear.

5Photo Guide

This is guidance for understanding historical performance images, not permission to photograph in North Korea. Any future photography would remain subject to current legal, guide and venue restrictions.

Best subjects in the archive

Wide stadium formations, card mosaics, floor geometry, acrobatics and costume groups reveal different aspects of the production. Exterior and audience-context images can help establish scale. A varied selection is more informative than fifteen nearly identical pictures of the same background.

Keep historical source details visible. A photograph of Arirang is not evidence of a current performance, and a later production should be identified by its own name. The image can document a scene without establishing an exact participant total or a current tourism arrangement.

Read the frame before the caption

Identify what is actually visible: field performers, a background mosaic, lighting or stadium architecture. Then compare the source description. This prevents a familiar title from encouraging assumptions that the picture itself does not support.

A close view may hide the overall formation; a wide image may make individual movements impossible to identify. Both have value when their limits are understood. Avoid adding a precise dance name, political interpretation or emotional claim without appropriate evidence.

Stadium-wide composition

A wide view can show the relationship between floor and background, making the production’s design legible. Straight horizons and balanced framing help the viewer understand the geometry. Cropping too tightly can remove the very scale that made the event distinctive.

For any hypothetical future permitted attendance, the authorised seat would determine available views. Do not enter restricted sections or move away from the group to improve composition. This page offers no current seating recommendation because no applicable performance arrangement has been verified.

Card mosaic photography

A mosaic image can change rapidly, so a still records only one moment in a coordinated sequence. Look at edges, lettering and transitions to understand how the image was assembled. Preserve enough context to show that it is part of a grandstand display rather than an ordinary screen.

Do not edit a historical image in a way that changes its political content or makes different scenes appear simultaneous. If cropped for display, say so. A useful archive preserves the distinction between documentary photography and a newly created interpretation.

Performance details

Acrobatics, dance groups and coordinated gestures can show the physical work behind the wider pattern. Details of costume and spacing help explain how individuals contribute to a legible formation. A respectful caption describes the scene without inventing a participant’s identity or feelings.

Avoid sensational close-ups or claims that one expression proves a universal experience. Photographs provide limited evidence. Where a source identifies a date, production or location, retain that information rather than replacing it with a generic label designed only to sound dramatic.

Light and exposure

Historical stadium photography often combines bright displays with darker surroundings. Highlights on costumes or mosaics can lose detail if exposure is raised for the whole scene. Strong colour lighting may also affect how the image is rendered.

In any future permitted photography, protecting bright areas and choosing a shutter speed suitable for movement would be relevant technical considerations. Those general principles do not override restrictions. A camera setting is never a justification for using a prohibited flash, moving seat or photographing a forbidden subject.

Lenses and distance

Wide lenses can establish the entire visual arrangement, while a telephoto lens can isolate a group where equipment rules permit. Neither is automatically superior. The best choice depends on whether the image is intended to explain scale, coordination or a particular movement.

Do not assume professional equipment, tripods or long lenses would be allowed at a future event. Current customs, guide and venue rules would need to be checked in advance. Avoid publishing an equipment packing list as if it had already been approved for entry.

Phone photography and recording

A phone can still be subject to photography and recording restrictions. General advice about low-light technique should never be interpreted as permission to record an entire performance or conceal photography. Follow explicit current instructions and ask when uncertain.

For historical material, distinguish an authorised still from a frame extracted from a video with separate rights. Do not upload or republish footage merely because it is available online. Credit the creator, check the licence and retain the source context for any image used in a public gallery.

Restricted subjects and boundaries

Do not photograph military, border or other restricted subjects, attempt covert images or hide material from authorities. A ticket to a cultural performance would not create permission elsewhere. Guidance from authorised staff and applicable law takes precedence over a desired picture.

This is especially important where the consequences of a mistake can be serious. Do not rely on an old visitor’s report that a particular photograph was tolerated. Conditions, enforcement and permission can differ, and a historical anecdote is not a current rule.

What not to do with images

Do not use a historical gallery to imply that the event is presently bookable. Do not merge later productions under the Arirang name, remove context to turn political imagery into endorsement or invent claims about people visible in a frame. Avoid edits that manufacture a larger crowd or a different scene.

The gallery here is a historical record with source and licence information. Responsive cropping changes display framing, not the identity of the documented event. Read it as evidence of past performance design and atmosphere, while keeping current access questions separate and unresolved unless reliable new information establishes them.

Practical Information

Current-access limitations are the starting point. Historical visitor accounts are not evidence that a performance or journey is bookable today.

Best Time to Arrive

There is no verified current performance season to plan an arrival around.

How to Get There

Current legal entry and performance access must both be established first.

What to Bring

Any future lawful journey would require current document and equipment guidance.

What to Expect

Expect historical spectacle in this guide; current travel would be highly controlled.

Photo Gallery

Seventeen historical photographs of Arirang performances, choreography and stadium context. They do not show a confirmed current season or establish present visitor access.

History and current-access sources

Reviewed 5 November 2026. No current Arirang performance season was verified. Limited tourism opportunities do not establish general Pyongyang or Mass Games access.

Guinness: 2007 gymnastic display · UK travel advice · US passport restrictions · Australian travel advice · Japanese travel advice · Specialist operator: Mass Games status

Photo credits and licenses

2008-North Korea-Pyongyang-Arirang Mass Game-Sangmo nori-01 — Shih-Tung at w:Picasa · CC BY-SA 3.0. Displayed with responsive cropping; see source for original.

Acrobatics (6647212949) — Michael Day · CC BY 2.0. Displayed with responsive cropping; see source for original.

Arirang (DPRK) — Gilad Rom from Israel · CC BY 2.0. Displayed with responsive cropping; see source for original.

Arirang — flowers — Gilad Rom · CC BY 2.0. Displayed with responsive cropping; see source for original.

Arirang Mass Games 01 — Nicor · CC BY-SA 3.0. Displayed with responsive cropping; see source for original.

Arirang Mass Games 02 — Nicor · CC BY-SA 3.0. Displayed with responsive cropping; see source for original.

Arirang Mass Games 03 — Nicor · CC BY-SA 3.0. Displayed with responsive cropping; see source for original.

Arirang Mass Games 04 — Nicor · CC BY-SA 3.0. Displayed with responsive cropping; see source for original.

Arirang Mass Games 05 — Nicor · CC BY-SA 3.0. Displayed with responsive cropping; see source for original.

Arirang Mass Games 06 — Nicor · CC BY-SA 3.0. Displayed with responsive cropping; see source for original.

Arirang Mass Games 07 — Nicor · CC BY-SA 3.0. Displayed with responsive cropping; see source for original.

Arirang Mass Games 08 — Nicor · CC BY-SA 3.0. Displayed with responsive cropping; see source for original.

Arirang Mass Games 09 — Nicor · CC BY-SA 3.0. Displayed with responsive cropping; see source for original.

Arirang Mass Games 10 — Nicor · CC BY-SA 3.0. Displayed with responsive cropping; see source for original.

Arirang Mass Games 11 — Nicor · CC BY-SA 3.0. Displayed with responsive cropping; see source for original.

Arirang Mass Games 12 — Nicor · CC BY-SA 3.0. Displayed with responsive cropping; see source for original.

Arirang Mass Games 13 — Nicor · CC BY-SA 3.0. Displayed with responsive cropping; see source for original.

ARIRANG MASS GAMES